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        <title type="main" level="a">Femminielli and the city: urban space and non-binary gender identities in Naples</title>
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          <persName n="1" ref="https://orcid.org/0000-0001-7328-3513" type="ORCID">
            <forename>Fabrizia</forename>
            <surname>Cannella</surname>
            <placeName type="affiliation">University of Venice Iuav, Italy</placeName>
          </persName>
        </author>
        <respStmt>
          <resp>This is a section of <title>Embodying Peripheries</title>(DOI: <idno type="DOI">10.36253/978-88-5518-661-2</idno>) by </resp>
          <name>Giuseppina Forte, Kuan Hwa</name>
        </respStmt>
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      <publicationStmt>
        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2022">2022</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-5518-661-2.09</idno>
        <availability>
          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
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            <p>Content licence CC BY-NC-ND 4.0</p>
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        <p>This is original content, published for academic research purposes</p>
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      <abstract xml:lang="en">
        <p>This essay examines the interrelation between (peripheral) gender identity and (peripheral) urban space. The analysis focuses on the femminiello, a quintessentially Neapolitan non-binary subjectivity embodying a fluid sexual identity, performatively crossing across masculine and feminine, deeply connected to the territory where it originates—Naples’ inner city and its low-income historic neighborhoods. Accordingly, the essay looks at the material and immaterial interrelations between urban space and the femminiello identity. Methodologically, the study is built on a qualitative approach based mainly on fieldwork interviews with three of the most prominent femminielli of the Neapolitan context: CiroCiretta, a recognized exponent of the femminielli community and among the founders of a cultural association devoted to spreading and preserving the ancient femminiello culture; Tarantina Taran, an iconic local figure dubbed as “Naples’ last femminiello” in the city’s Spanish Quarters; and Loredana, activist and secretary of Naples’ Transsexual Association. The voices and stories of these three femminielli led us to read this non-binary gender identity in its relation to urban space, from different and complementary perspectives, which ultimately helped us trace a map of changing meaning and emerging forms of adaptation over time.</p>
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        <keywords>
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            <item>Naples</item>
            <item>femminielli</item>
            <item>queer space</item>
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      <p>It is available online at https://doi.org/10.36253/978-88-5518-661-2.09<ref target="https://doi.org/10.36253/978-88-5518-661-2.09" /></p>
      <div>
        <listBibl>
          <head>References</head>
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