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        <title type="main" level="a">Building’s Twin Reconstruction</title>
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          <persName n="1" ref="https://orcid.org/0000-0002-7777-5360" type="ORCID">
            <forename>Cecilia</forename>
            <surname>Luschi</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
          </persName>
          <persName n="2" ref="https://orcid.org/0000-0001-9334-3982" type="ORCID">
            <forename>Alessandra</forename>
            <surname>Vezzi</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
          </persName>
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          <resp>This is a section of <title>CONVR 2023 - Proceedings of the 23rd International Conference on  Construction Applications of Virtual Reality </title>(DOI: <idno type="DOI">10.36253/979-12-215-0289-3</idno>) by </resp>
          <name>Pietro Capone, Vito Getuli, Farzad Pour Rahimian, Nashwan Dawood, Alessandro Bruttini, Tommaso Sorbi</name>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2023">2023</date>
        <idno type="DOI">https://doi.org/10.36253/10.36253/979-12-215-0289-3.117</idno>
        <availability>
          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
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            <p>Content licence CC BY-NC 4.0</p>
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        <p>This is original content, published for academic research purposes</p>
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      <abstract xml:lang="en">
        <p>The work shows a process that starts from the digitization of cultural heritage and through analysis arrives at the subsequent diachronic holographic representation. The object of the study was the creation of two holograms of historical buildings: the church of St. Maria in Sovana with an interesting subsoil and the ruin of church of St. Francesco, attributed to Sangallo il Giovane in Pitigliano. However, the theoretical setting of the research is placed at due distance from the twin term. It has implications and meaning that are not matched by producing a digital copy, even a very high resolution one. The use of different cognitive technologies and the assembly of the various inputs in a digital model can never be defined as a twin of the original. Bearing in mind what has just been specified, the work was organized according to different levels of acquisition of cognitive data. Obtained from the survey and from historical studies the shape of the original state, a historical narrative interweaving of digital models has been created. The hologram is a three-dimensional and dynamic representation, which in the case of the church of San Francesco shows the reconstruction of the ancient architectural complex, visualizing the evolution of the studies of historical documents, up to the vision of today's ruin. For the church of S. Maria, the underground area is reconstructed through the geoelectric analysis of the subsoil and of the urban composition. Use of high detection technologies (GPR and HVNSR). The holographic of the artifact, promotes scientific divulgation and its dissemination sharing experience, it is not realized through device indeed, but thanks a holographic display</p>
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        <keywords>
          <list>
            <item>Digital twining of cultural heritage</item>
            <item>hologram technology</item>
            <item>scientific divulgation</item>
            <item>dissemination - Diocesan Museum Palazzo Orsini of Pitigliano (GR)</item>
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      <p>It is available online at https://doi.org/10.36253/10.36253/979-12-215-0289-3.117<ref target="https://doi.org/10.36253/10.36253/979-12-215-0289-3.117" /></p>
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