The third part examines modern rewritings of the myth of Diana in the works of Heine and in the broader German Romantic tradition. It explores the transformations of the goddess across literary and performative forms—from the Venusberg myth to Heine’s ballet pantomime Die Göttin Diana—highlighting hybridizations with other mythic figures, political symbolism, and the interplay between pagan and Christian imagery. The chapter examines Heine’s modern rewritings of the myth of Diana as an urbanized goddess, an imagological allegory of Paris, a fille de joie, a giantess and revolutionary Liberté, and finally as a wild huntress and femme fatale.