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        <title type="main">Censura, istituzioni e politica letteraria in URSS (1964-1985)</title>
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            <forename>Maria</forename>
            <surname>Zalambani</surname>
            <placeName type="affiliation">University of Bologna, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2009">2009</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-080-2</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
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            <p>Content licence CC BY 3.0 IT</p>
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        <title>Biblioteca di Studi Slavistici</title>
        <idno type="ISSN" subtype="print">2612-7687</idno>
        <idno type="ISSN" subtype="electronic">2612-7679</idno>
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          <date>2009</date>
          <idno type="ISBN" subtype="electronic">978-88-6453-080-2</idno>
          <biblScope unit="page">284 pages</biblScope>
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            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/1966/1966_19662">https://media.fupress.com/files/pdf/24/1966/1966_19662</ref></p>
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          <date>2009</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-729-7</idno>
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          <date>2009</date>
          <idno type="ISBN" subtype="print">978-88-6453-075-8</idno>
          <biblScope unit="page">284 pages</biblScope>
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      <abstract xml:lang="en">
        <p>Soviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes  almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power.

Press Review:
Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010</p>
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      <abstract xml:lang="it">
        <p>La società sovietica è sempre stata caratterizzata da un forte istituto censorio che di fronte al potere della parola scritta ha messo in opera una serie di istituzioni altamente repressive. Ma la censura non necessariamente esercita il suo potere attraverso forme coercitive; ci sono modalità di intervento che si espletano attraverso una complessa rete di istituzioni culturali, in grado di "produrre" la società, espungendo pensieri ed atteggiamenti pericolosi per il sistema ed organizzando al contempo una serie di organismi destinati a forgiare comportamenti e mentalità ortodossi, tanto da rendere spesso quasi inutile la funzione del censore esterno, sostituito dal "censore dell'anima". Il libro qui presentato cerca di evidenziare questo secondo aspetto della censura, senza tuttavia trascurare la grande macchina repressiva messa in atto dal potere sovietico.

Rassegna stampa:
Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010
Slavic Review, vol. 70, no. 1 (Spring 2011)
Sfogliando la Russia, n. 8
Il Mestiere di Storico II, 2/2010
Slavonic and East European Review, vol. 89, n. 3</p>
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            <item>Censura</item>
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      <p>It is available online at https://doi.org/10.36253/978-88-6453-080-2<ref target="https://doi.org/10.36253/978-88-6453-080-2" /></p>
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