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        <title type="main">Saggi di Teoria della letteratura</title>
        <title type="sub">Percorsi tematici</title>
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            <forename>Vincenzina</forename>
            <surname>Sabelli Biagini</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2016">2016</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6655-954-2</idno>
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          <p>Open Access</p>
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            <p>Content licence CC BY 4.0</p>
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        <title>Moderna/Comparata</title>
        <idno type="ISSN" subtype="print">2704-5641</idno>
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          <date>2016</date>
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          <biblScope unit="page">226 pages</biblScope>
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          <date>2016</date>
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          <date>2016</date>
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          <edition n="4">Print edition</edition>
          <date>2016</date>
          <idno type="ISBN" subtype="print">978-88-6655-953-5</idno>
          <biblScope unit="page">226 pages</biblScope>
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      <abstract xml:lang="en">
        <p>In this book Saggi sulla teoria della letteratura (“Essays on the Theory of Literature”) Enza Biagini puts in play her rich theoretical background and a vast knowledge of texts and authors to deal with some fundamental problems concerning literature, its status, its metamorphoses and its being necessary. Following modern paths, she leads the readers on the traces of different genres and situations difficult to define (the essay-writing, the unfinished ...), of 'temporary' themes always on the point of becoming something else (the nocturnal, the relationship between text and image. ..). The works revolve around the exergues and the definitions of the dictionaries: a whole world of suggestions and reasoning that the author finely brings not only to the field of theory, but also to the world of the Italian and French narrative.</p>
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        <p>In questo libro di Saggi sulla teoria della letteratura  Enza Biagini affronta con un ricco bagaglio teorico e una vasta conoscenza di testi ed autori alcuni problemi fondamentali e continuamente ritornanti quando ci si interroga sulla letteratura, sul suo statuto, sulle sue metamorfosi, sulla sua necessità. Seguendo percorsi di grande modernità ci conduce sulle tracce di generi e situazioni dalla difficile definizione (la saggistica, il non finito...), di temi sempre sul punto di divenire qualcosa d'altro (il notturno, il rapporto tra testo e immagine...). Intorno alle opere a dominare sono le soglie , costituite dagli esergo, dalle definizioni dei dizionari: tutto un mondo di suggestioni e ragionamento che l’autrice muove con grande maestria non solo nel campo della teoria, ma della narrativa italiana e francese.</p>
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