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        <title type="main">The Heian Court Poetry as World Literature</title>
        <title type="sub">From the Point of View of Early Italian Poetry</title>
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            <forename>Edoardo</forename>
            <surname>Gerlini</surname>
            <placeName type="affiliation">University of Venice Ca' Foscari, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2014">2014</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6655-604-6</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode">
            <p>Content licence CC BY 4.0</p>
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        <title>Strumenti per la didattica e la ricerca</title>
        <idno type="ISSN" subtype="print">2704-6249</idno>
        <idno type="ISSN" subtype="electronic">2704-5870</idno>
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          <date>2014</date>
          <idno type="ISBN" subtype="electronic">978-88-6655-604-6</idno>
          <biblScope unit="page">294 pages</biblScope>
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            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/2710/2710_21453">https://media.fupress.com/files/pdf/24/2710/2710_21453</ref></p>
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          <date>2014</date>
          <idno type="ISBN" subtype="electronic">978-88-5518-952-1</idno>
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            <p>It is available to read for free online</p>
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        <bibl type="monograph">
          <edition n="3">Print edition</edition>
          <date>2014</date>
          <idno type="ISBN" subtype="print">978-88-6655-600-8</idno>
          <biblScope unit="page">294 pages</biblScope>
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        <tag>peer-reviewed</tag>
        <rs type="FUP_policy" source="https://doi.org/10.36253/fup_best_practice">Firenze University Press Best Practice in Scholarly Publishing</rs>
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      <abstract xml:lang="en">
        <p>What could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakash&amp;#363; in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6655-604-6<ref target="https://doi.org/10.36253/978-88-6655-604-6" /></p>
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