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        <title type="main">Figure</title>
        <title type="sub">Ars e ratio nel progetto di architettura</title>
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            <forename>Riccardo</forename>
            <surname>Gulli</surname>
            <placeName type="affiliation">University of Bologna, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2015">2015</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6655-739-5</idno>
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          <p>Available for academic research purposes</p>
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        <title>Studi e saggi</title>
        <idno type="ISSN" subtype="print">2704-6478</idno>
        <idno type="ISSN" subtype="electronic">2704-5919</idno>
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          <date>2015</date>
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          <biblScope unit="page">134 pages</biblScope>
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          <date>2015</date>
          <idno type="ISBN" subtype="electronic">978-88-6655-740-1</idno>
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          <date>2015</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-381-7</idno>
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        <bibl type="monograph">
          <edition n="4">Print edition</edition>
          <date>2015</date>
          <idno type="ISBN" subtype="print">978-88-6655-738-8</idno>
          <biblScope unit="page">134 pages</biblScope>
          <availability status="restricted">
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        <tag>peer-reviewed</tag>
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      <abstract xml:lang="en">
        <p>Four friends, in a given place, at a given time, discuss on the transmission of knowledge in the fields of architectural theory and practice, following the maze of paths unfolding within that neutral space where the world of images and the world of concepts, theArs and the Ratio. coexist. The narrative formula is therefore endowed with a double value: on the one hand, the expedient is what allows the conveyance of the transfer of knowledge, using the didactic model based on dialectical confrontation; on the other, it represents the metaphor of the cognitive process which dominates the designing action. The figures are the stepping stone of this process, and the assumption based on which an alternative approach to design theory takes shape. This volume is accompanied by a large repertoire of sources and resources that are available online.</p>
      </abstract>
      <abstract xml:lang="it">
        <p>Quattro amici, in un dato luogo, in un determinato tempo, discutono intorno al tema della trasmissione delle conoscenze nel campo della teoria e della pratica dell’architettura, seguendo il dedalo dei percorsi che si dipanano dentro quello spazio neutro dove coesistono il mondo delle immagini e il mondo dei concetti, l’Ars e la Ratio. La formula narrativa viene pertanto insignita di una duplice valenza: da un lato è l’espediente che consente di veicolare il trasferimento dei saperi mediante il modello didattico basato sul confronto dialettico; dall’altro rappresenta la metafora del processo conoscitivo che governa l’azione progettuale. Le figure sono il viatico di questo processo e il presupposto su cui prende forma un approccio alternativo ad una teoria del progetto.

Il volume è corredato da un ampio repertorio di fonti e risorse consultabili online.


    
     
           
                
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      <p>It is available online at https://doi.org/10.36253/978-88-6655-739-5<ref target="https://doi.org/10.36253/978-88-6655-739-5" /></p>
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