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        <title type="main">Il pensiero estetico di Nikolaj Evreinov dalla teatralità  alla 'poetica della rivelazione'</title>
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            <forename>Claudia</forename>
            <surname>Pieralli</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2015">2015</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6655-946-7</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode">
            <p>Content licence CC BY 4.0</p>
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        <title>Biblioteca di Studi Slavistici</title>
        <idno type="ISSN" subtype="print">2612-7687</idno>
        <idno type="ISSN" subtype="electronic">2612-7679</idno>
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          <date>2015</date>
          <idno type="ISBN" subtype="electronic">978-88-6655-946-7</idno>
          <biblScope unit="page">324 pages</biblScope>
          <extent>17,08 MB</extent>
          <availability status="free">
            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/3114/3114_8406">https://media.fupress.com/files/pdf/24/3114/3114_8406</ref></p>
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          <date>2015</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-287-2</idno>
          <availability status="free">
            <p>It is available to read for free online</p>
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        <tag>peer-reviewed</tag>
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      <abstract xml:lang="en">
        <p>This research offers an integral analysis of the aesthetic thought of the director, playwright and art theorist Nikolaj Nikolaevic Evreinov. The work focuses on the analysis of the treaty The revelation of art, written in Paris in the 1930s, which represents the greatest testimony of the author's research in the aesthetic field. Henceforth, a connection is offered between the known aspects of Evreinov's theatrical thought, relating to the period of the avant-garde in Russia, and others, of a broader nature, which have long been precluded from being known. Through insights on the Russian theatrical history of the early 20th century, reflections touching textual criticism, the history of aesthetic thought and Russian criticism, the complex figure of an artist emerges  against the background of the culture expressed by post-revolutionary Russian emigration. An artist who, as an intellectual, begins a dialogue with the Western European cultural tradition. This book thus intends to restore the visibility, as well as an exegetical and historiographic completeness, of Evreinov’s rich legacy as a writer, a philosopher and a critic.</p>
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      <abstract xml:lang="it">
        <p>Questa ricerca propone un’analisi integrale del pensiero estetico del regista, drammaturgo e teorico dell’arte Nikolaj Nikolaevi&amp;#269; Evreinov. Il lavoro si incentra sull’analisi del trattato La rivelazione dell’arte, scritto a Parigi negli anni Trenta, che rappresenta la maggiore testimonianza delle ricerche in campo estetico dell’autore.
Si offre così un collegamento tra aspetti noti del pensiero teatrale di Evreinov, relativi al periodo delle avanguardie in Russia, e altri, di carattere più ampio, rimasti a lungo preclusi alla conoscenza. 
Attraverso spaccati di storia del teatro russo del primo Novecento e riflessioni che toccano la critica testuale, la storia del pensiero estetico e della critica russa, emerge, sullo sfondo della cultura espressa dall’emigrazione russa post-rivoluzionaria, la complessa figura di un artista che, da intellettuale, entra in dialogo con la tradizione culturale europea occidentale. Questo libro intende così restituire visibilità, oltre che una completezza esegetica e storiografica, alla ricca eredità di Evreinov scrittore, filosofo e critico.</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6655-946-7<ref target="https://doi.org/10.36253/978-88-6655-946-7" /></p>
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