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        <title type="main">Per le riviste di Vecchietti negli anni ’30-’40</title>
        <title type="sub">Raccolta di racconti e scritti dispersi</title>
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          <persName n="2">
            <forename>Giuseppe</forename>
            <surname>Dessì</surname>
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        </author>
        <editor>
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            <forename>Francesca</forename>
            <surname>Bartolini</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
          </persName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2016">2016</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-398-8</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
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            <p>Content licence CC BY 4.0</p>
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        <title>Moderna/Comparata</title>
        <idno type="ISSN" subtype="print">2704-5641</idno>
        <idno type="ISSN" subtype="electronic">2704-565X</idno>
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          <date>2016</date>
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          <biblScope unit="page">176 pages</biblScope>
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          <date>2016</date>
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            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/epub/24/3343/3343_17431">https://media.fupress.com/files/epub/24/3343/3343_17431</ref></p>
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          <date>2016</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-222-3</idno>
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          <edition n="4">Print edition</edition>
          <date>2016</date>
          <idno type="ISBN" subtype="print">978-88-6453-397-1</idno>
          <biblScope unit="page">176 pages</biblScope>
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        <tag>peer-reviewed</tag>
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      <abstract xml:lang="en">
        <p>Retracing Dessí’s collaboration in the magazines “L’Orto”, “Primato” and “Cronache” directed by Giorgio Vecchietti, among stories, essays and reviews that have remained largely unpublished, means deepening the writer’s artistic development by exploring into the creative laboratory of his debut. The 36 texts collected and commented by Francesca Bartolini allow us to analyse the thematic and stylistic approaches that were further developed and deepened in the subsequent production. At the same time they take into account the years of the fascist dictatorship, allowing us to investigate the development of an intellectual conscience engaged in an anti-fascist, rebel movement typical of many writers of that generation. Weaving the critical discourse with the reading of the correspondence, the complex relationship that linked Dessí to the three editorial offices is noted, testifying to the passion of a young artist eager to follow his inclination, but also aware of the difficulty of preserving his freedom and identity in the limitations of the regime.</p>
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        <p>Ripercorrere la collaborazione di Dessí alle riviste «L’Orto», «Primato» e «Cronache» dirette da Giorgio Vecchietti, tra racconti, saggi e recensioni in gran parte inediti, significa approfondire il percorso di formazione dello scrittore scavando nella laboratorio creativo dei suoi esordi. I 36 testi raccolti e commentati da Francesca Bartolini permettono di analizzare predilezioni tematiche e stilistiche poi sviluppate e approfondite nella produzione successiva. Al tempo stesso consentono di indagare il costituirsi, durante gli anni della dittatura fascista, di una coscienza intellettuale impegnata in un antifascismo di fronda tipico di molti scrittori di quella generazione. Intessendo il discorso critico con la lettura dell’epistolario si dà nota dei complessi rapporti che legarono Dessí alle tre redazioni, a testimonianza della passione di un giovane artista desideroso di seguire la propria inclinazione, ma anche cosciente della difficoltà di preservare la propria libertà e identità nelle limitazioni del regime.</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6453-398-8<ref target="https://doi.org/10.36253/978-88-6453-398-8" /></p>
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