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        <title type="main">Carlo Cecchi: funambolo della scena italiana</title>
        <title type="sub">L'apprendistato e il magistero</title>
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            <forename>Chiara</forename>
            <surname>Schepis</surname>
            <placeName type="affiliation">University of Bologna, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2017">2017</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-594-4</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode">
            <p>Content licence CC BY 4.0</p>
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            <p>Metadata licence CC0 1.0</p>
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        <title>Premio Ricerca «Città di Firenze»</title>
        <idno type="ISSN" subtype="print">2705-0289</idno>
        <idno type="ISSN" subtype="electronic">2705-0297</idno>
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          <edition n="1">Digital edition PDF</edition>
          <date>2017</date>
          <idno type="ISBN" subtype="electronic">978-88-6453-594-4</idno>
          <biblScope unit="page">576 pages</biblScope>
          <extent>85,73 MB</extent>
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            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/3508/3508_14296">https://media.fupress.com/files/pdf/24/3508/3508_14296</ref></p>
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          <date>2017</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-162-2</idno>
          <availability status="free">
            <p>It is available to read for free online</p>
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        <bibl type="monograph">
          <edition n="3">Print edition</edition>
          <date>2017</date>
          <idno type="ISBN" subtype="print">978-88-6453-593-7</idno>
          <biblScope unit="page">576 pages</biblScope>
          <availability status="restricted">
            <p>It is available for online purchase at <ref target="https://books.fupress.com/isbn/9788864535944">https://books.fupress.com/isbn/9788864535944</ref></p>
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        <tag>peer-reviewed</tag>
        <rs type="FUP_policy" source="https://doi.org/10.36253/fup_best_practice">Firenze University Press Best Practice in Scholarly Publishing</rs>
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        <rs type="peer_review" resp="scientific_board" source="https://books.fupress.com/scientific-board/c/90">Premio Ricerca «Città di Firenze» 2016</rs>
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      <abstract xml:lang="en">
        <p>Carlo Cecchi: funambolo della scena italiana (Carlo Cecchi: a funambulist of the Italian stage) constitutes the only monograph on the Florentine actor, director and master of dramatic art of the Italian theatre. The book reconstructs the actor’s artistic story in order to carve out two attitudes characterizing his relationship with the stage: the personal training path and the modalities of the trainer job: Apprenticeship and magisterium. While this study unwinds, Florence takes on a particular centrality: from an abandoned and renegade homeland to an intentionally rediscovered island, in which the actor-director lives one of the most significant phases of his maturity, directing the Teatro Niccolini from 1980 to 1995 - recently reopened as a school for a wide group of students, actors-protagonists of today's stages.</p>
      </abstract>
      <abstract xml:lang="it">
        <p>Carlo Cecchi: funambolo della scena italiana costituisce, anzitutto, l’unica monografia prodotta su l’attore fiorentino, regista e maestro d’arte drammatica del teatro italiano. Il libro ricostruisce la vicenda artistica dell’attore al fine di ritagliare due atteggiamenti caratterizzanti la sua relazione con la scena: il personale percorso di formazione e le modalità del lavoro di formatore: L’apprendistato e il magistero. Firenze si appropria, nelle maglie di questo studio, di una centralità particolare: da patria abbandonata e rinnegata a isola volutamente ritrovata, nella quale l’attore-regista vive una delle fasi più significative della propria maturità, dirigendo dal 1980 al 1995 il Teatro Niccolini, recentemente riaperto, scuola per una schiera di allievi, attori-protagonisti delle scene di oggi.</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6453-594-4<ref target="https://doi.org/10.36253/978-88-6453-594-4" /></p>
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