<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title type="main">Il paesaggio figurato</title>
        <title type="sub">Disegnare le regole per orientare le trasformazioni</title>
        <author>
          <persName n="1" ref="https://orcid.org/0000-0001-7234-5495" type="ORCID">
            <forename>Antonella</forename>
            <surname>Valentini</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
          </persName>
        </author>
      </titleStmt>
      <publicationStmt>
        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2018">2018</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-684-2</idno>
        <availability>
          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode" notBefore="2018-05-21">
            <p>Content licence CC BY 4.0</p>
          </licence>
          <licence source="metadata" target="https://creativecommons.org/publicdomain/zero/1.0/legalcode">
            <p>Metadata licence CC0 1.0</p>
          </licence>
        </availability>
      </publicationStmt>
      <seriesStmt>
        <title>Territori</title>
        <idno type="ISSN" subtype="print">2704-5978</idno>
        <idno type="ISSN" subtype="electronic">2704-579X</idno>
      </seriesStmt>
      <sourceDesc>
        <bibl type="monograph">
          <edition n="1">Digital edition PDF</edition>
          <date>2018</date>
          <idno type="ISBN" subtype="electronic">978-88-6453-684-2</idno>
          <biblScope unit="page">150 pages</biblScope>
          <extent>105,11 MB</extent>
          <availability status="free">
            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/3729/3729_14362">https://media.fupress.com/files/pdf/24/3729/3729_14362</ref></p>
          </availability>
        </bibl>
        <bibl type="monograph">
          <edition n="2">Digital edition XML</edition>
          <date>2018</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-109-7</idno>
          <availability status="free">
            <p>It is available to read for free online</p>
          </availability>
        </bibl>
        <bibl type="monograph">
          <edition n="3">Print edition</edition>
          <date>2018</date>
          <idno type="ISBN" subtype="print">978-88-6453-683-5</idno>
          <biblScope unit="page">152 pages</biblScope>
          <availability status="restricted">
            <p>It is available for online purchase at <ref target="https://books.fupress.com/isbn/9788864536842">https://books.fupress.com/isbn/9788864536842</ref></p>
          </availability>
        </bibl>
      </sourceDesc>
    </fileDesc>
    <encodingDesc>
      <appInfo>
        <application version="2.2" ident="Booksflow">
          <desc>Digital edition XML powered by Booksflow</desc>
        </application>
      </appInfo>
    </encodingDesc>
    <profileDesc>
      <creation>
        <tag>peer-reviewed</tag>
        <rs type="FUP_policy" source="https://doi.org/10.36253/fup_best_practice">Firenze University Press Best Practice in Scholarly Publishing</rs>
        <rs type="scientific_cloud" source="https://doi.org/10.36253/fup_best_practice.2">FUP Scientific Cloud for Books</rs>
        <rs type="peer_review" resp="scientific_board" source="https://books.fupress.com/scientific-board/c/2">Territori</rs>
      </creation>
      <abstract xml:lang="en">
        <p>Drawing is a powerful form of communication, and it can activate the imagery. This volume discusses two themes: the representation of landscape, where the image is used for descriptive purposes, and the prefigurement of landscape, where drawing is the tool for the definition of scenes. The two actions are closely related. Outlining the structure of the landscape (for which the bird's eye view appears to be an effective representation) enables the deduction of the constitutive and evolutionary rules which necessarily lead to the identification of the rules of good behaviour for the preservation and transformation of the landscape. Drawing these action guidelines can help aim the transformations, as it allows the simple and straight communication of the ways in which it is possible to intervene in our common living environment.</p>
      </abstract>
      <abstract xml:lang="it">
        <p>Il disegno è una potente forma di comunicazione in grado di attivare l'immaginario. Il volume affronta il tema della raffigurazione di paesaggio, in cui l'immagine è usata a fini descrittivi, e della prefigurazione di paesaggio, in cui il disegno è lo strumento per definire scenari. Le due azioni sono strettamente correlate: delineare la struttura del paesaggio – e il disegno a volo d'uccello appare una efficace modalità di rappresentazione – consente di desumere le regole costitutive ed evolutive, da cui necessariamente deriva l'individuazione delle regole di buon comportamento che permettono la conservazione e la trasformazione del paesaggio. Disegnare queste regole di azione può rivelarsi una operazione utile per ben orientare le trasformazioni poiché consente di comunicare, in modo semplice e diretto, le modalità con cui interveniamo nel nostro comune ambiente di vita.</p>
      </abstract>
    </profileDesc>
  </teiHeader>
  <text>
    <body>
      <p>It is available online at https://doi.org/10.36253/978-88-6453-684-2<ref target="https://doi.org/10.36253/978-88-6453-684-2" /></p>
    </body>
  </text>
</TEI>