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        <title type="main">«Per amor di poesia (o di versi)»</title>
        <title type="sub">Seminario su Giorgio Caproni</title>
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            <forename>Anna</forename>
            <surname>Dolfi</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2018">2018</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-767-2</idno>
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        <title>Moderna/Comparata</title>
        <idno type="ISSN" subtype="print">2704-5641</idno>
        <idno type="ISSN" subtype="electronic">2704-565X</idno>
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          <date>2018</date>
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          <date>2018</date>
          <idno type="ISBN" subtype="print">978-88-6453-766-5</idno>
          <biblScope unit="page">232 pages</biblScope>
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      <abstract xml:lang="en">
        <p>Giorgio Caproni is certainly among the most loved Italian poets of the 20th century. Anna Dolfi used this widespread passion to involve not only well-known scholars of Caproni, but also young researchers, in new research activities. This results in a considerably rich book which, together with an overall vision, offers a series of hermeneutical insights on themes which were not as frequently investigated until then (memory, bestiaries and so on), by combining new readings of exemplary texts with unpublished documents, with reflections on language and poetry, on musical, pictorial and mythical suggestions, never forgetting Caproni’s activity for translation, self-commentary and civic commitment. The book is functionally divided into Percorsi e attraversamenti, Letture (e immediati dintorni), Risultanze tra/dalle carte d’archivio, which enhances the diversity of the critical commentaries and the close comparisons, of the surveys and experiments of comment, of explication de texte, and highlights the great technical skill and the extreme lyrical depth of an author who, between cantability and dissonances, arpeggios and apostrophes, cabalettas and cadences, flourishes and delays, vocalizations and little verses, recoveries and leave, talkativeness and aphasia, was able to interpret the contradictory research, the questions, the fears, the faults and the incurable wounds of our time.</p>
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      <abstract xml:lang="it">
        <p>Giorgio Caproni è sicuramente tra i poeti più amati del nostro Novecento. Anna Dolfi ha intercettato questa diffusa passione per coinvolgere in nuove ricerche non solo noti capronisti ma anche giovani ricercatori. Il risultato è un libro di notevole ricchezza che, assieme a una visione complessiva, propone una serie di approfondimenti ermeneutici su temi fi nora meno battuti (la memoria, i bestiari…) accostando nuove letture di testi esemplari a documenti inediti, a riflessioni sulla lingua, la poetica, le suggestioni musicali, pittoriche, mitiche, senza scordare la caproniana attività di traduzione, auto commento ed impegno civile. Una funzionale suddivisione del libro in Percorsi e attraversamenti, Letture (e immediati dintorni), Risultanze tra/dalle carte d’archivio esalta la diversità delle off erte critiche e dei serrati confronti, dei sondaggi ed esperimenti di commento, di explication de texte, e mette in rilievo la grande perizia tecnica e l’estrema profondità lirica di un autore che, tra cantabilità e dissonanze, arpeggi e apostrofi , cabalette e cadenze, svolazzi e dilazioni, vocalizzi e versicoli, riprese e congedi, loquacità e afasia, ha saputo interpretare la contraddittoria ricerca, le domande, i timori, le colpe, le ferite insanabili del nostro tempo.</p>
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