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        <title type="main">Diario social di un Rettore 3</title>
        <title type="sub">Scrivendo appunti diversi</title>
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            <forename>Luigi</forename>
            <surname>Dei</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2018">2018</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-759-7</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode" notBefore="2018-11-22">
            <p>Content licence CC BY 4.0</p>
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        <title>Libere carte</title>
        <idno type="ISSN" subtype="print">2612-7962</idno>
        <idno type="ISSN" subtype="electronic">2612-7970</idno>
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          <date>2018</date>
          <idno type="ISBN" subtype="electronic">978-88-6453-759-7</idno>
          <biblScope unit="page">216 pages</biblScope>
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            <p>This is original content, published in Open Access. It is also available to read for free online at <ref target="https://media.fupress.com/files/pdf/24/3796/3796_15937">https://media.fupress.com/files/pdf/24/3796/3796_15937</ref></p>
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          <date>2018</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-071-7</idno>
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            <p>It is available to read for free online</p>
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          <edition n="3">Print edition</edition>
          <date>2018</date>
          <idno type="ISBN" subtype="print">978-88-6453-758-0</idno>
          <biblScope unit="page">216 pages</biblScope>
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        <tag>peer-reviewed</tag>
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      <abstract xml:lang="en">
        <p>«Chemistry and fantasy, art and science, photography and music, education and play, technology and communicative desire, civic passion and didactic commitment did not formerly (or not only) create a nicely original and bizarre mixture, but rather a very original score, which invites you to reflect on the operation of objects looking trivial despite not being such; this makes us gaze into the depth of common things and shows them to us in a way which leads us to feel as if we saw them for the first time. The secret lies in the pen of a light-handed writer, a scientist-poet who is a school man and enthusiastically manages to weld inventive energy and scientific expertise together. The opportunity is not to be missed, because a new contact with the world can bring forth new emotions, new thoughts, new feelings. A light hand smudged with plaster »(Gino Tellini).</p>
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        <p>«Chimica e fantasia, arte e scienza, fotografia e musica, istruzione e gioco, tecnologia e desiderio comunicativo, passione civile e impegno didattico formano non già (o non solo) una miscela simpaticamente inedita e bizzarra, ma una partitura originalissima che invita a pensare al funzionamento di oggetti che paiono banali e banali non sono, che fa penetrare lo sguardo nella profondità delle cose comuni e ce le mostra come se le vedessimo per la prima volta. Il segreto consiste nella penna di uno scrittore dalla mano leggera, uno scienziato-poeta che è uomo di scuola e riesce con entusiasmo a saldare insieme energia inventiva e competenza scientifica. L’occasione è da non perdere, perché un contatto nuovo con il mondo può suscitare nuove emozioni, nuovi pensieri, nuovi sentimenti. Una mano leggera e sporca di gesso» (Gino Tellini).</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6453-759-7<ref target="https://doi.org/10.36253/978-88-6453-759-7" /></p>
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