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        <title type="main">Baudelaire et Wagner</title>
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            <forename>Michela</forename>
            <surname>Landi</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Florence</pubPlace>
        <date when="2019">2019</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6453-954-6</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
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        <title>Biblioteca di Studi di Filologia Moderna</title>
        <idno type="ISSN" subtype="electronic">2420-8361</idno>
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          <date>2019</date>
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          <biblScope unit="page">701 pages</biblScope>
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          <date>2019</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-005-2</idno>
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      <abstract xml:lang="en">
        <p>Baudelaire et Wagner. “The intellectual name of love is interest”, wrote Thomas Mann in his Considerations of an apolitical man (1915-1918). The interest, he specifies, "implies an emotional state that is nothing less than lukewarm", which "far exceeds in violence that of admiration'". It is not then in the panegyric, but in "malicious, even hateful" criticism, and in particular in the pamphlet (on condition "that it is spiritual and a product of passion") that this interest is found to be satisfied. The loving challenge that Thomas Mann issued at Wagner during the war is an answer, if possible, to Baudelaire's intention.</p>
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        <p>Baudelaire et Wagner. «Le nom intellectuel de l’amour est l’intérêt», note Thomas Mann dans ses Considérations d’un apolitique (1915-1918). L’intérêt, précise-t-il, «implique un état affectif rien moins que tiède», qui «dépasse de loin en violence celui de l’‘admiration’». Ce n’est pas alors dans le panégyrique, mais dans la critique «malveillante, voire haineuse», et notamment dans le pamphlet (à condition «qu’il soit spirituel et un produit de la passion») que cet intérêt trouve à se satisfaire. L’amoureux défi que Thomas Mann lance à Wagner pendant la guerre restitue si possible l’intention de Baudelaire.</p>
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      <p>It is available online at https://doi.org/10.36253/978-88-6453-954-6<ref target="https://doi.org/10.36253/978-88-6453-954-6" /></p>
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