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        <title type="main" level="a">Chronotopes of Affectivity in Literature. On Melancholy, Estrangement, and Reflective Nostalgia</title>
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          <persName n="1" ref="https://orcid.org/0000-0002-2917-7630" type="ORCID">
            <forename>Laura</forename>
            <surname>Salmon</surname>
            <placeName type="affiliation">University of Genoa, Italy</placeName>
          </persName>
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          <resp>This is a section of <title>Melancholic Identities, Toska and Reflective Nostalgia</title>(DOI: <idno type="DOI">10.36253/978-88-6655-822-4</idno>) by </resp>
          <name>Laura Salmon, Sara Dickinson</name>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2015">2015</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-6655-822-4.02</idno>
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          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
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            <p>Content licence CC BY 4.0</p>
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        <p>This is original content, published for academic research purposes</p>
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      <abstract xml:lang="en">
        <p>Basing our analysis on the concepts of ‘emotion’, ‘feeling’, and ‘mood’  as defined by data from the cognitive sciences, we argue that human emotions are both universal and intrinsically linked to literary and artistic chronotopes. In her study of 'reflective' and 'restorative' nostalgia, Svetlana Boym (2001) shows that 'nostalgia' itself represents pure ambivalence that takes on a particular shape in response to the mood, thoughts, and psychological state of the author. Its ultimate expression might assume the form of either monological ideology or of paradoxical existential emotion. It is this second type of nostalgia that we can link most closely link to understandings of  both 'melancholy' and 'identity' or 'self-consciousness'. Brooding and melancholic toska is shared by persons who suffer from what we might call 'existential ambivalence'; these persons are 'mercurials' in the terminology of Yuri Slezkine (2004). Within the field of Russian literature, this 'mercurial' sense of  melancholy is particularly well developed.</p>
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        <keywords>
          <list>
            <item>Literary emotions</item>
            <item>nostalgia</item>
            <item>Literature &amp; cognitive science</item>
            <item>chronotopes</item>
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      <p>It is available online at https://doi.org/10.36253/978-88-6655-822-4.02<ref target="https://doi.org/10.36253/978-88-6655-822-4.02" /></p>
      <div>
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