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        <title type="main" level="a">Stato d’animo e significato in architettura</title>
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          <persName n="1">
            <forename>Alberto</forename>
            <surname>Pérez-Gómez</surname>
            <placeName type="affiliation">McGill University, Canada</placeName>
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          <resp>This is a section of <title>La mente in architettura </title>(DOI: <idno type="DOI">10.36253/978-88-5518-286-7</idno>) by </resp>
          <name>Sarah Robinson, Juhani Pallasmaa, Matteo Zambelli</name>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2021">2021</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-5518-286-7.13</idno>
        <availability>
          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
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        <p>This is original content, published for academic research purposes</p>
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      <abstract xml:lang="en">
        <p>Explores the role of mood and meaning in architectural experience via the German no-tion of stimmung, relating to the central questions of temperance and harmony in music and architecture. Motor resonance and attunement are under-acknowledged ways that architecture shapes experience. Pedagogical skills that acknowledge the complexity of an embodied and situated consciousness, emphasising qualitative, experiential and em-bodied approaches.</p>
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            <item>Stimmung</item>
            <item>attunement</item>
            <item>resonance</item>
            <item>situated consciousness</item>
            <item>atmospheres</item>
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      <p>It is available online at https://doi.org/10.36253/978-88-5518-286-7.13<ref target="https://doi.org/10.36253/978-88-5518-286-7.13" /></p>
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          <head>References</head>
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