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        <title type="main">Il Palagio di Parte Guelfa a Firenze</title>
        <title type="sub">Documenti, immagini e percorsi multimediali</title>
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          <persName n="1">
            <forename>Sara</forename>
            <surname>Benzi</surname>
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          <persName n="2">
            <forename>Luca</forename>
            <surname>Bertuzzi</surname>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2006">2006</date>
        <idno type="DOI">https://doi.org/10.36253/88-8453-497-6</idno>
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          <p>Available for academic research purposes</p>
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            <p>Content licence CC BY-NC-ND 2.5 IT</p>
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        <title>Studi e saggi</title>
        <idno type="ISSN" subtype="print">2704-6478</idno>
        <idno type="ISSN" subtype="electronic">2704-5919</idno>
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          <date>2006</date>
          <idno type="ISBN" subtype="electronic">88-8453-497-6</idno>
          <biblScope unit="page">344 pages</biblScope>
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          <date>2006</date>
          <idno type="ISBN" subtype="electronic">978-88-9273-941-3</idno>
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          <edition n="3">Print edition</edition>
          <date>2006</date>
          <idno type="ISBN" subtype="print">88-8453-498-4</idno>
          <biblScope unit="page">346 pages</biblScope>
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        <tag>peer-reviewed</tag>
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      <abstract xml:lang="en">
        <p>Dating back to the early fourteenth century and expanded in two successive phases during the 1400s, presumably with works attributed to Brunelleschi among the others, the Palagio di Parte Guelfa in Florence was born as the seat of one of the most important magistrates of the Middle Ages in Florence. From the middle of the 16th century, starting with the intervention of Vasari, the factory underwent numerous transformations which modified its original conformation. It was only in the early 1900s that the building, which survived the demolitions linked to the rehabilitation of the centre of Florence, was the protagonist of the important restoration works, entrusted to Alfredo Lensi, which contributed to donating the current shape to the Palagio. The Palace, damaged once again by German mines in August 1944 and subsequently restored, is today one of the most representative buildings in the historic centre of Florence.</p>
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      <abstract xml:lang="it">
        <p>Risalente ai primi anni del XIV secolo ed ampliato in due successive fasi durante il 1400, presumibilmente anche con opere da attribuirsi al Brunelleschi, il Palagio di Parte Guelfa di Firenze nacque come sede di una delle magistrature più importanti del Medioevo fi orentino. Dalla metà del XVI secolo, a partire dall'intervento del Vasari, la fabbrica subì numerose trasformazioni, che ne modifi carono l'originaria conformazione. Fu solo nei primi anni del 1900 che l'edifi cio, sopravvissuto alle demolizioni legate al risanamento del centro di Firenze, fu protagonista degli importanti lavori di restauro, affi dati ad Alfredo Lensi, che contribuirono a donare al Palagio l'attuale conformazione. Il Palazzo, nuovamente danneggiato dalle mine tedesche nell'agosto del 1944 e successivamente restaurato, è oggi uno degli edifi ci più rappresentativi del centro storico di Firenze.</p>
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            <item>Storia</item>
            <item>Architettura</item>
            <item>Restauro</item>
            <item>Palagio di Parte Guelfa</item>
            <item>Firenze</item>
            <item>Filippo Brunelleschi</item>
            <item>Giorgio Vasari</item>
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      <p>It is available online at https://doi.org/10.36253/88-8453-497-6<ref target="https://doi.org/10.36253/88-8453-497-6" /></p>
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