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        <title type="main" level="a">Una città, il viaggio, le frontiere, un’identità letteraria</title>
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          <persName n="1">
            <forename>Elvio</forename>
            <surname>Guagnini</surname>
            <placeName type="affiliation">University of Trieste, Italy</placeName>
          </persName>
        </author>
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          <resp>This is a section of <title>Firenze per Claudio Magris</title>(DOI: <idno type="DOI">10.36253/978-88-5518-338-3</idno>) by </resp>
          <name>Ernestina Pellegrini, Federico Fastelli, Diego Salvadori</name>
        </respStmt>
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      <publicationStmt>
        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2021">2021</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-5518-338-3.07</idno>
        <availability>
          <p>Available for academic research purposes</p>
          <p>Open Access</p>
          <p>Copyright Author(s)</p>
          <licence source="text" target="https://creativecommons.org/licenses/by/4.0/legalcode">
            <p>Content licence CC BY 4.0</p>
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        <p>This is original content, published for academic research purposes</p>
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      <abstract xml:lang="en">
        <p>Magris had a deep relationship with his hometown Trieste, while feeling the need to distance himself from it through his travels. Travelling is a metaphor for life; it is a weave between the will for conservation and innovation, as well as research. These issues emerge in significant narrative pages such as Non luogo a procedere (2015), which is a lucid and disenchanted consideration of the history of the city, moved by a strong ethical charge, and Tempo curvo a Krems (2019), which is a profound synthesis of the many aspects of Magris’ fictional and critical work.</p>
      </abstract>
      <textClass>
        <keywords>
          <list>
            <item>Border Studies</item>
            <item>Claudio Magris</item>
            <item>Literary Identity</item>
            <item>Travel Literature</item>
            <item>Trieste</item>
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    <body>
      <p>It is available online at https://doi.org/10.36253/978-88-5518-338-3.07<ref target="https://doi.org/10.36253/978-88-5518-338-3.07" /></p>
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        <listBibl>
          <head>References</head>
          <bibl n="41155">Ara, Angelo, e Claudio Magris. 1982. Trieste. Un’identit&amp;#224; di frontiera. Torino: Einaudi.</bibl>
          <bibl n="41156">Kezich, Tullio. 2003. Sulla triestinit&amp;#224;, con una presentazione di Elvio Guagnini. Trieste: Universit&amp;#224; degli Studi di Trieste (lectio doctoralis, pp. 16-29).</bibl>
          <bibl n="41157">Magris, Claudio. 1982. Itaca e oltre. Milano: Garzanti.</bibl>
          <bibl n="41158">Magris, Claudio. 1986.  “Les cornes de la page ou La ville de papier.” In Portraits pour une ville: Trouver Trieste. Manifestations sur la ville de Trieste (Catalogo della Mostra, Parigi, novembre 1985-giugno 1986), sous la direction de Carlo Pirovano. Milano: Electa, 12-18.</bibl>
          <bibl n="41159">Magris, Claudio. 2005. L’infinito viaggiare. Milano: Mondadori.</bibl>
          <bibl n="41160">Magris, Claudio. 2015. Non luogo a procedere. Milano: Garzanti.</bibl>
          <bibl n="41161">Magris, Claudio. 2019. Tempo curvo a Krems. Cinque racconti. Milano: Garzanti.</bibl>
          <bibl n="41162">Pertici, Roberto, a cura di. 1985.  Intellettuali di frontiera. Triestini a Firenze (1900-1950). Atti del Convegno, Firenze, 18-20 marzo 1985. Firenze: Leo S. Olschki.</bibl>
          <bibl n="41163">Svevo, Italo. 2004. Teatro e saggi, a cura di Federico Bertoni. Milano: Mondadori.</bibl>
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