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        <title type="main">«The good comic novel»: la narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino</title>
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            <forename>Annalisa</forename>
            <surname>Martelli</surname>
            <placeName type="affiliation">University of Florence, Italy</placeName>
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        <publisher>Firenze University Press</publisher>
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        <date when="2021">2021</date>
        <idno type="DOI">https://doi.org/10.36253/978-88-5518-476-2</idno>
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        <title>Biblioteca di Studi di Filologia Moderna</title>
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        <p>«The good comic novel». La narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino analyses the influence of Don Quixote on Henry Fielding’s fiction, starting with a survey of the reception of the Spanish novel in England. Joseph Andrews and Tom Jones are analyzed and compared with the Spanish novel, from which Fielding overtly borrowed some characters, episodes, and Cervantes’ parodic strategies. Fielding’s and Cervantes’s narrative proceeded from the parodic deconstruction and subsequent innovation of previous literature, with the main purpose of teaching and amusing the reader at the same time. Finally, the volume examines the role of Fielding and Cervantes in the rise of the fictional and the self-conscious novel.</p>
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      <abstract xml:lang="it">
        <p>«The good comic novel». La narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino analizza l’influenza del Don Chisciotte sulla narrativa di Henry Fielding, a partire da un excursus della ricezione del romanzo spagnolo in Inghilterra. Da una analisi del Joseph Andrews e del Tom Jones di Fielding in relazione al Don Chisciotte, affiorano evidenti paralleli nell’uso della parodia letteraria, di specifiche innovazioni diegetiche e nel ricorso ad alcuni episodi e personaggi. Rilevando come nella narrativa dei due autori l’innovazione letteraria proceda dalla decostruzione e attualizzazione della letteratura precedente, e dal precetto classico dell’«istruire divertendo», il volume si sofferma sul ruolo di Fielding e Cervantes nella nascita del romanzo di finzione e del self-conscious novel.</p>
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            <item>Fielding</item>
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      <p>It is available online at https://doi.org/10.36253/978-88-5518-476-2<ref target="https://doi.org/10.36253/978-88-5518-476-2" /></p>
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