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        <title type="main" level="a">Išḫara: One Deity – Many Aspects?</title>
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            <forename>Doris</forename>
            <surname>Prechel</surname>
            <placeName type="affiliation">University of Mainz Johannes Gutenberg, Germany</placeName>
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          <resp>This is a section of <title>Theonyms, Panthea and Syncretisms in Hittite Anatolia and Northern Syria</title>(DOI: <idno type="DOI">10.36253/979-12-215-0109-4</idno>) by </resp>
          <name>Livio Warbinek, Federico Giusfredi</name>
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        <publisher>Firenze University Press</publisher>
        <pubPlace>Firenze</pubPlace>
        <date when="2023">2023</date>
        <idno type="DOI">https://doi.org/10.36253/979-12-215-0109-4.14</idno>
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      <abstract xml:lang="en">
        <p>The goddess Išḫara is attested early in cuneiform sources, and her cult can be traced back in all regions of the Ancient Near East over a period of more than 2000 years. From this point of view, it is worthwhile to look at her integration into the Hittite pantheon and try to identify changes and continuities in her figure and present some ideas about the circumstances under which the process of integration took place.</p>
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            <item>Išḫara</item>
            <item>mothergoddess</item>
            <item>religious infiltration</item>
            <item>local avatars</item>
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      <p>It is available online at https://doi.org/10.36253/979-12-215-0109-4.14<ref target="https://doi.org/10.36253/979-12-215-0109-4.14" /></p>



<p rend="h1_chapter" >Išḫara: One Deity – Many Aspects?</p><p rend="h1_author" >Doris Prechel</p><p rend="h1_indexAbstract" ><hi rend="bold" >Abstract</hi><hi >: </hi>The goddess Išḫara is attested early in cuneiform sources, and her cult can be traced back in all regions of the Ancient Near East over a period of more than 2000 years. From this point of view, it is worthwhile to look at her integration into the Hittite pantheon and try to identify changes and continuities in her figure and present some ideas about the circumstances under which the process of integration took place.</p><p rend="h2" >1. The beginnings</p><p rend="text" ><hi >As Archi noted in 2020, there are good reasons to suspect the origin of the goddess Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara in the northern Syrian region. Archi was able to demonstrate that the main goddess of early Syrian Ebla was undoubtedly Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara. In pre-Sargonic Ebla, she had her own temple and was also worshipped in the temple of the god Kura (Archi 2020, 2-5). Her great importance to the kingship can be seen in numerous offerings made to her by the royal family (Archi 2020, 9-11). Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is explicitly referred to as the king’s Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara (</hi><hi rend="superscript CharOverride-2" >d</hi><hi rend="CharOverride-3">šára</hi><hi rend="CharOverride-3" > </hi>:<hi rend="italic">iš </hi><hi rend="CharOverride-3" >en</hi>)<hi > and has been revered as such for generations. The proximity to royalty then also prompted Matthiae (2010) to interpret the motif of a cylinder seal from Ebla as an early representation of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara. He argued that the figure of the god on a seal from Ebla facing forward and with two unattached horns on his head could be Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara because of her symbol – the scorpion – and the depiction of the king and queen on the seal. However, since the doubtless identification of the scorpion with Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is possible only from the Late Bronze Age onward, this correlation must be a hypothesis.</hi></p><p rend="text" ><hi >Given the brilliant work already presented by Archi, it is not necessary to go into further detail here. It should only be mentioned that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was also worshipped in an impressive number of other towns and villages in the Ebla region, of which </hi><hi rend="italic CharOverride-3" >má-ne</hi><hi rend="superscript CharOverride-2" >ki</hi><hi >, located on the upper Euphrates, may have been the most significant (Archi, 2020, 5-8).</hi></p><p rend="text" ><hi >The evidence for Ebla as the main cult site and possible origin of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is strong. But the syllabic spelling of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara or Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ala in Ebla is limited to the genre of lexical lists where she is equated with </hi><hi rend="CharOverride-3">šara</hi><hi rend="CharOverride-4" >8</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-032-backlink"><ref target="14.html#footnote-032">1</ref></hi></hi><hi rend="CharOverride-4" >.</hi></p><p rend="text" ><hi >In Mesopotamia, the cult of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara acquires greater importance during the reign of Šulgi of Ur at the end of the 21</hi><hi rend="superscript CharOverride-5" >st</hi><hi > century BC</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-031-backlink"><ref target="14.html#footnote-031">2</ref></hi></hi><hi >. Even during the Akkad dynasty Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is mentioned in personal names and some documents. Of particular interest is a treaty between Narām-Sîn and an Elamite king, which contains a list of at least 32 deities, most of them Elamite, but also some Mesopotamian, such as Ilaba, Ninurta, Išhara, and Ninkarak, as well as Mazziat</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-030-backlink"><ref target="14.html#footnote-030">3</ref></hi></hi><hi >. This evidence is difficult to explain. It is hardly probable that the cult of Išhara was adapted by the conquerors of the city shortly after the conquest of Ebla and used significantly to represent the Akkadian dynasty in matters of state.</hi></p><p rend="text" ><hi >Even in early Mesopotamia, a syllabic spelling of the name Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is rare. To this day, it is entirely uncertain whether the logogram </hi><hi rend="CharOverride-3" >gá/lagab</hi>×<hi rend="CharOverride-3" >sig</hi><hi rend="CharOverride-4" >7</hi><hi >, attested in various places, denotes the deity Šara or Išhara</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-029-backlink"><ref target="14.html#footnote-029">4</ref></hi></hi><hi >. The logogram </hi><hi rend="CharOverride-3" >lagab</hi>×<hi rend="CharOverride-3" >sig</hi><hi rend="CharOverride-4" >7</hi><hi > is attested more than 300 times in the ED period and probably means Šara in most cases. But in the case of Tell Agrab, the existence of a Šara cult belonging to Umma, would be surprising, and it is possible that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was already meant here. As Sallaberger noted, the situation is somewhat clearer at Tell Beydar, where the logogram was used with the phonetic indicator </hi><hi rend="italic" >eš</hi><hi rend="CharOverride-4" >4</hi><hi >. In Beydar, the divine name is also written </hi><hi rend="CharOverride-3" >lagab</hi>×<hi rend="CharOverride-3" >igi</hi><hi >-</hi><hi rend="italic" >gunû</hi><hi > as in Tell Agrab. Thus, the reading /eš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara/ depends on the reading /šára/ of the same sign</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-028-backlink"><ref target="14.html#footnote-028">5</ref></hi></hi><hi >. Despite the unclear situation in Mesopotamia at this early stage in history, the region closest to Anatolia with a significant Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara cult was northern Syria during the 3</hi><hi rend="superscript CharOverride-5" >rd</hi><hi > millennium.</hi></p><p rend="h2" >2. Towards Anatolia</p><p rend="h3 ParaOverride-1" >2.1 Southern Mesopotamia</p><p rend="text" ><hi >As noted above, clear evidence for Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara in southern Mesopotamia is rare and became popular only toward the end of the 3rd millennium, when the rulers of the 3</hi><hi rend="superscript CharOverride-5" >rd</hi><hi > dynasty of Ur since Šulgi worshipped the goddess cultically. A climax in this development can be seen under the wife of Amar-S</hi>în<hi >, Queen Abī-Simtī of Ur.</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-027-backlink"><ref target="14.html#footnote-027">6</ref></hi></hi><hi > In this case, we can explain infiltration as a personal matter. Juridical documents from the old Babylonian period show that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara had a temple of her own in Larsa and Sippar (Prechel 1996, 36; 38). </hi></p><p rend="text" ><hi >Scholars of the Old Babylonian period constructed Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara as a hybrid of Ištar in ancient Babylonian classical literature. The Gilgameš version mentions a “bed of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara”, which obviously refers to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara as a goddess of love and the bed is the place where marriage is to be consummated: </hi></p><p rend="quotations_quotation_b1" >For Iš<hi rend="myfont_regular CharOverride-1">ḫ</hi>ara the bed </p><p rend="quotations_quotation_b2" >was laid out,</p><p rend="quotations_quotation_b2" >Gilgameš would meet</p><p rend="quotations_quotation_b2" >with the young woman</p><p rend="quotations_quotation_b3" >at night<hi rend="notes_number _idGenCharOverride-1"><hi xml:id="footnote-026-backlink"><ref target="14.html#footnote-026">7</ref></hi></hi></p><p rend="text" ><hi >Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was an Ištar figure. The difference between the two figures is that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is portrayed as a bride and her sexuality is solely for procreation. This is formulated in the epic of Atra-</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >asīs:</hi></p><p rend="quotation_b" >When, to institute marriage,</p><p rend="quotation_b" >they heed Ištar in the house of [the father-in-law],</p><p rend="quotation_b" >let there be rejoicing for nine days,</p><p rend="quotation_b" >let them call Ištar Iš<hi rend="myfont_regular CharOverride-1">ḫ</hi>ara<hi rend="notes_number _idGenCharOverride-1"><hi xml:id="footnote-025-backlink"><ref target="14.html#footnote-025">8</ref></hi></hi></p><p rend="text" ><hi >As we shall see later on, the literarily explicitly formulated function as a goddess of love with a focus on fertility coincides perfectly with her symbol, the scorpion. Personal names confirm the image of a goddess of matrimonial love and birth.</hi></p><p rend="h3" >2.2 Northern Mesopotamia</p><p rend="text" ><hi >The great number of personal names in the royal archives of Mari attests not only to the goddess’s popularity in Upper Syria and Upper Mesopotamia. We can also see that personal names compounded with the name Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara refer to the same aspects as in Babylonia: the maternal and protective nature of the goddess</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-024-backlink"><ref target="14.html#footnote-024">9</ref></hi></hi><hi >.</hi></p><p rend="text" ><hi >The popularity of the goddess as early as the beginning of the 2</hi><hi rend="superscript CharOverride-5" >nd</hi><hi > millennium in Central Anatolia deserves special attention. Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara possessed votive offerings (</hi><hi rend="italic" >ikribū</hi><hi >)</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-023-backlink"><ref target="14.html#footnote-023">10</ref></hi></hi><hi > and received silver and two bull figurines (together with Ištar)</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-022-backlink"><ref target="14.html#footnote-022">11</ref></hi></hi><hi >. The goddess had a temple in Kaneš which can be reached by going upwards (</hi><hi rend="italic" >elium</hi><hi >)</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-021-backlink"><ref target="14.html#footnote-021">12</ref></hi></hi><hi >. She also appears in some personal names, such as Šū-Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara “the one of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara” or Ummī-Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, “Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is my mother”; but, she is not invoked as a personal deity according to the evidence so far</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-020-backlink"><ref target="14.html#footnote-020">13</ref></hi></hi><hi >. New data from Kaneš was collected by Kuzuo</hi><hi rend="CharOverride-6" >ǧ</hi><hi >lu, who lists small payments on special occasions</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-019-backlink"><ref target="14.html#footnote-019">14</ref></hi></hi><hi >. The statement in a court order </hi><hi rend="italic" >itamma Talhatium ina Išhara</hi><hi > “the man of Talhat shall swear by Išhara”</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-018-backlink"><ref target="14.html#footnote-018">15</ref></hi></hi><hi >, departs from the maternal aspect and points to the function of an oath goddess. </hi></p><p rend="text" ><hi >The documentation from Kaneš shows that Išhara was worshipped in a broader sense, but there were no invocations that indicate a personal goddess. It seems important to note that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was already known as an oath deity during the period of the Assyrian trading colonies in Anatolia; this is attested in the Treaty of Apûm with Assur. In the list of gods, she appears next to Ninkarrak by whom the city of Assur and the king of Apûm have to swear at the beginning of their treaty</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-017-backlink"><ref target="14.html#footnote-017">16</ref></hi></hi><hi >. </hi></p><p rend="text" ><hi >In summary: during the first half of the 2</hi><hi rend="superscript CharOverride-5" >nd</hi><hi > millennium there was an active cult in Ebla, Mari, Assur, Kaneš, yet, the aspects are not always clear.</hi></p><p rend="h2" >3. Infusion into the Hittite Pantheon</p><p rend="text" ><hi >After the goddess Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara had been known and worshipped in Anatolia as a deity with a cult and a temple already in ancient Assyrian times, she appears very early in the Hittite Empire in the treaties with the Kaška-people.</hi></p><p rend="quotation_b" >“See, we have made an oath. All the gods, we have brought in assembly: The Sungod, the Stormgod, the Wargod, Tutelary Deity, M[oongod<hi rend="superscript _idGenCharOverride-1">?</hi>], Ištar, Iš<hi rend="myfont_regular CharOverride-1">ḫ</hi>ara, the Lord of the Oath, the gods of Heaven, the gods of the Earth, the primordial gods, the gods of the <hi rend="myfont_regular CharOverride-1">Ḫ</hi>atti-land, the gods of the Kaškaland, the sky, the earth, the mountains, the rivers. They shall be witnesses to this oath!” (KBo 8.35 II 8’-10’)</p><p rend="text" ><hi >This early evidence is important, because the wording of this treaty is extraordinary in many respects. Although, it cannot be ruled out that the reason for Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara’s choice was ignorance as to what the non-state treaty partners would accept, her pre-existing popularity in the role of oath-guarantor may have played a role. Whatever the case, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara became very important as an oath deity. She is entitled as </hi><hi rend="CharOverride-3" >munus.lugal </hi><hi rend="italic CharOverride-3" >ma-mi-ti</hi><hi rend="CharOverride-3" > </hi><hi >or </hi><hi rend="CharOverride-3" >niš dingir-</hi><hi rend="italic CharOverride-3" >lim</hi><hi > or </hi><hi rend="italic" >linkiyant</hi><hi >-</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-016-backlink"><ref target="14.html#footnote-016">17</ref></hi></hi><hi >. Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was integrated into the state cult as early as the empire period, when Hurrian influences prevail. In lists of sacrifices, she received offerings in the circles of </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >epat and Šawuška</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-015-backlink"><ref target="14.html#footnote-015">18</ref></hi></hi><hi >, but Festivals on her own were located in Kizzuwatna where her cult seems to be very prominent</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-014-backlink"><ref target="14.html#footnote-014">19</ref></hi></hi><hi >. As local avatars of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, in Hittite texts appeared to be those of Kummani, Aštata, Niriša and Ebla.</hi></p><p rend="text" ><hi >The memory of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara as a great goddess of Ebla could have been known very early in </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >attuša. One hint is given by “The Song of Release”</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-013-backlink"><ref target="14.html#footnote-013">20</ref></hi></hi><hi >. The main divine figures are introduced at the beginning of the poem about Ebla, i.e., Teššub, Allani, as goddess of the underworld, and Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara. The poem was originally composed in Hurrian, a dialect much older than that known to have been in use in the fifteenth to fourteenth centuries. The preparation of a bilingual edition may be explained by training Hittite scribes. Von Dassow (2013, 130) argued that the appreciation and thus the memory of the divine protagonists does not seem to have lasted long. For the tablets of the epic left in the cellar of temple 16, have hardly been used further, according to the present findings. Therefore, it is not clear how popular the local variant of the Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara of Ebla was among the Hittites.</hi></p><p rend="text" ><hi >In summary, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara appears in various roles and functions in Hittite Anatolia:</hi></p><p rend="quotation_b" >- Oath Deity (treaties)</p><p rend="quotation_b" >- Underworld deity (myth)</p><p rend="quotation_b" >- Patron of the cities of Astata, Ebla, Kumani, Niriša</p><p rend="quotation_b" >- Disease (ritual)</p><p rend="quotation_b" >- Fertility (ritual)</p><p rend="text" ><hi >The question as to whether the scorpion was known as a symbol of the goddess in Hittite Anatolia remains open. As mentioned above, there is already evidence of the scorpion as a possible symbol from Ebla or the ancient Assyrian archives at Kaneš in the glyptic, suggesting a connection with the goddess</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-012-backlink"><ref target="14.html#footnote-012">21</ref></hi></hi><hi >. Pictorial representations of the scorpion in the Hittite empire are not attested. In Hittite literature the scorpion does not play a significant role. However, in this context, attention should be paid to the fragment KBo 21.20. This is the translation of a ritual text from the Akkadian with a collection of Hittite healing recipes</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-011-backlink"><ref target="14.html#footnote-011">22</ref></hi></hi><hi >. The ritual against witchcraft is performed before Scorpius. Schwemer (2013, 159) has pointed out that the extant text shares some similarities with a Neo-Babylonian prayer addressed to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, which had the same purpose and may represent an earlier version of the latter prayer. Regardless of the question about a direct predecessor to the Neo-Babylonian version, the text clearly indicates that the symbolic image of a deity represented as a scorpion reached </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >attuša from Babylonia. This may also be illustrated by the fact that a Babylonian recitation with an invocation to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is preserved in KBo 32.206 relating to the Babilili rituals</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-010-backlink"><ref target="14.html#footnote-010">23</ref></hi></hi><hi >. As in the case of the originally Elamite Pinengir, who is the central deity in the Babilili rituals</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-009-backlink"><ref target="14.html#footnote-009">24</ref></hi></hi><hi >, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara also seems to be considered as one of the various Ištar hypostases from Babylonia. This was also pointed out by Miller, who sees </hi><hi rend="CharOverride-3" >dingir.ge</hi><hi rend="CharOverride-4" >6</hi><hi >’s association with the moon god and the underworld as sharing a striking number of features with Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, thus emphasizing a commonality between the goddesses </hi><hi rend="CharOverride-3" >dingir.ge</hi><hi rend="CharOverride-4" >6</hi><hi > and Ištar and Pirinkir in </hi><hi rend="myfont_regular CharOverride-1">Ḫ</hi><hi rend="CharOverride-1">attuša</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-008-backlink"><ref target="14.html#footnote-008">25</ref></hi></hi><hi >. It is true that the close association of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara with the moon god is evident from the cursing and swearing formulas that often threaten the destruction of offspring, which may be due to the importance of both deities in connection with pregnancy and childbirth. In rituals of Hurrian origin, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is among the deities drawn from the earth.</hi></p><p rend="text" ><hi >In summary: at the end of the Hittite empire, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara remained integrated into the central pantheon of the empire, as represented by the sacrificial series of festivals for Teššub and </hi><hi rend="myfont_regular">Ḫ</hi>epat<hi > and by the selection of images in Yaz</hi>ı<hi >l</hi>ı<hi >kaya</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-007-backlink"><ref target="14.html#footnote-007">26</ref></hi></hi><hi >.</hi></p><p rend="h2" >4. Late Bronze Age evidence outside Ḫatti</p><p rend="text" ><hi >During the time of the Hittite Empire, the strongest evidence for an Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara cult came from northern Syria and Kizzuwatna. Since Archi has already explained the facts in several articles</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-006-backlink"><ref target="14.html#footnote-006">27</ref></hi></hi><hi >, I will limit myself here to a few words. In both Alala</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >, Emar, and Ugarit, evidence can be found in many written documents of a cult in which great importance was attached to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, especially in Emar, as reflected in their epithets: Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, mistress of the city, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara of the king, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara of the prophetesses. And without a doubt, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was an oath-guarantor </hi><hi rend="italic" >par excellence</hi><hi > in northern Syria of the Late Bronze Age.</hi></p><p rend="text" ><hi >While there is evidence for the worship of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara in many places in Mesopotamia of the Old Babylonian period, the source material for Cassite Babylonia is limited. From the reign of Meli-šipak comes the first datable </hi><hi rend="italic" >kudurru</hi><hi >, on which, in addition to the symbols of the gods, there are inscriptions, including the scorpion with the addition </hi><hi rend="superscript CharOverride-2" >d</hi><hi rend="italic" >iš-</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic" >a-ra</hi><hi >. It is important to that, for the first time, it is possible to assign the scorpion, which has been documented in representational art since prehistoric times, to a specific deity. The scorpion is portraied on almost all “boundary stones”. Even where it is not (no longer) depicted, the great importance attributed to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, who is to be identified with it now, as the guarantor of an oath is evident: a </hi><hi rend="italic" >kudurru</hi><hi > exists from the time of Marduk-apla-iddina I, whose inscription together with the scorpion have been erased</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-005-backlink"><ref target="14.html#footnote-005">28</ref></hi></hi><hi >.</hi></p><p rend="text" ><hi >In Late Bronze Age, the goddess had a sanctuary in the temple of Ištar of Assur and was offered sacrifices as part of the ritual of the reinstatement of the king. Therefore, we can safely assume that she continued to be part of the official pantheon, as the later surviving texts on the </hi><hi rend="italic" >tākultu</hi><hi > ritual make clear</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-004-backlink"><ref target="14.html#footnote-004">29</ref></hi></hi><hi >. From Elam only a few personal names with the theophoric element can be proved (Richter, forthcoming).</hi></p><p rend="h2" >5. Conclusions</p><p rend="text" ><hi >Schwemer (2008) has suggested three different ways in which a deity can take its place in the Hittite pantheon. First, the god or goddess is the victim of a godnapping. As Schwemer demonstrated, this type of integration is attested only for the Old Hittite period, so there is no need to consider this possibility in case of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara. Second, deities are incorporated into the pantheon through an </hi><hi rend="italic" >evocatio</hi><hi >. This can be noted for many deities with the exception of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara. Thus, only the third of the listed possibilities remains: Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara found inclusion in the Hittite pantheon only through the expansion of the empire and the widening of the borders.</hi></p><p rend="text" ><hi >In general, regarding the relationship between textual sources and their meaningfulness for a reconstruction of the pantheon, it can be said that cult and ritual is attested by dedicatory inscriptions and sacrificial lists and ritual texts. From this aspect, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara appears in Anatolia as a lower deity in the circles of </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >epat and </hi><hi rend="italic CharOverride-3" >ištar</hi><hi >. We infer the role of the pantheon for the country from official inscriptions with their </hi><hi rend="italic" >curse formulae</hi><hi >. It is abundantly clear that, from this aspect, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is a great deity for the land as the guardian of the oath. For the individual, we expect statements on “persönliche Frömmigkeit” from letters, seal inscriptions, and onomastics. In this regard, due to a lack of sources, no statements can be made for Hittite Anatolia. However, it can be assumed that her importance for the individual lay primarily in her function as mother goddess, as the personal names outside of </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >atti show.</hi></p><p rend="text" ><hi >As an oath deity, Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara became a member of the state cult, and her importance for the Hittites seems to be closely related to the use of state treaties as an instrument of power. This could be emphasized by the fact that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara was already an internationally known deity (Syrian, Assyrian, Babylonian) in this capacity when she was integrated into the Hittite pantheon. From this point of view, it does not matter whether the impulse came from the southeast or the southwest.</hi></p><p rend="text" ><hi >The great popularity that Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara enjoyed in Kizzuwatna seems to favor a southwestern origin, since the cult of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara as an important goddess remained alive in the northern Syrian and Kizzuwatna regions during the 2</hi><hi rend="superscript CharOverride-5" >nd</hi><hi > millennium. </hi></p><p rend="text" ><hi >Nevertheless, I would like to leave open the question whether in Hittite Anatolia also a tradition was maintained which suggests a Mesopotamian origin of the goddess, as the few Akkadian incantation fragments may suggest. I also consider the assumption debatable that a deity would have spread from Ebla to Babylonia</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-003-backlink"><ref target="14.html#footnote-003">30</ref></hi></hi><hi >. With a migration of deities, one will have to assume socially influential individuals, as it became evident during the Ur III period.</hi></p><p rend="text" ><hi >Even through an etymology of the name does not bring us closer to the origin of the goddess with certainty. In 2019, Bachvarova proposed an etymology based on the Hittite </hi><hi rend="italic" >iš</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic" >a</hi><hi >- “lord”</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-002-backlink"><ref target="14.html#footnote-002">31</ref></hi></hi><hi >. She argued that all Hittite Mountain names are constructed masculinely and therefore </hi><hi rend="myfont_regular CharOverride-7">ḫ</hi><hi rend="superscript CharOverride-2" >ur</hi><hi rend="superscript CharOverride-5" >.</hi><hi rend="superscript CharOverride-2" >sag</hi><hi >Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara in the Kizzuwatna ritual </hi><hi rend="italic" >CTH</hi><hi > 641 should be understood accordingly. In contrast, as far as I can see, a Semitic origin is usually preferred, referring to the verbal root </hi><hi rend="italic">šêru</hi><hi > “to rise early” (*š</hi><hi rend="CharOverride-6" >ḥ</hi><hi >r)</hi><hi rend="notes_number CharOverride-5" ><hi xml:id="footnote-001-backlink"><ref target="14.html#footnote-001">32</ref></hi></hi><hi >. However, a definite clarification cannot be achieved at present.</hi></p><p rend="text" ><hi >Hittite scholars have left us no information about Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara’s origin and family. All the more interesting is a middle Assyrian list of the </hi><hi rend="CharOverride-3" >an</hi><hi >:Anum series, which presents us with both a consort and an otherwise unknown son, and overall shows a mixture of Northern Syrian and Mesopotamian religious imagination.</hi></p><table rend="Nessuno-stile-tabella" xml:id="table001">
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="CharOverride-3">me.me</hi></p>
						</cell>
						<cell rend="Nessuno-stile-tabella base CellOverride-1">
							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="italic">iš-</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic">a-ra</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="italic">be-let bi-ri</hi></p>
						</cell>
						<cell rend="Nessuno-stile-tabella base CellOverride-1">
							<p rend="quotations_quotation_b2" ><hi rend="CharOverride-3">min</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="italic">e-ta-mi-tu</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="italic">iš-</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic">a-ra</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2" >d</hi><hi >taš-me-zi-ik-ru</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="CharOverride-3">munus.sukkal </hi><hi rend="superscript CharOverride-2">d</hi><hi rend="italic">be-let bi-ri-ke</hi><hi rend="CharOverride-4">4</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="superscript CharOverride-2">d</hi><hi rend="CharOverride-3">sag</hi>.<hi rend="CharOverride-6">⸢</hi><hi rend="CharOverride-3">gar</hi><hi rend="CharOverride-6">⸣</hi></p>
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							<p rend="quotations_quotation_b2" ><hi rend="CharOverride-3">dumu</hi><hi rend="italic">-a-ni</hi><hi rend="notes_number _idGenCharOverride-1"><hi xml:id="footnote-000-backlink"><ref target="14.html#footnote-000">33</ref></hi></hi></p>
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			</table><p rend="text" ><hi >At present, there is nothing to suggest that Iš</hi><hi rend="CharOverride-6" >ḥ</hi><hi >ara became popular as a follower of her spouses in Syria and Anatolia. Rather, the quality of a mother goddess as a complement to the type of Ištar could have been interesting for her position of various panthea.</hi></p><p rend="h2" >Bibliography</p><p rend="bib_indx_bib" >Archi, Alfonso. 2020. “Iš<hi rend="myfont_regular CharOverride-1">ḫ</hi>ara and Aštar at Ebla: Some Definitions.” In <hi rend="italic">The third millennium: studies in early Mesopotamia and Syria in honor of Walter Sommerfeld and Manfred Krebernik</hi>, eds. Iliya Arkhipov, Leonid Kogan, and Natalia Koslova, 1-34. Leiden: Bosten.</p><p rend="bib_indx_bib" >Bachvarova, Mary R. 2019. “Towards an Understanding of the Gendered Hittite Landscape: What does it mean when moutains give birth?” In <hi rend="italic">Acts Of The IX</hi><hi rend="italic CharOverride-9">th</hi><hi rend="italic"> International Congress of Hittitology. Çorum, September 08-14</hi>, <hi rend="italic">2014</hi>, eds. Yayına Hazırlayan, and Aygül Süel, 81-100. Çorum: Basım Tarihi.</p><p rend="bib_indx_bib" >Beckman, Gary M. 2014. <hi rend="italic">The babilili-Ritual from Hattusa (CTH 718). </hi>Winona Lake: Eisenbrauns (MC 19).</p><p rend="bib_indx_bib" >de Martino, Stefano. 2019. “The Hurrian Song of Release and the Fall of Ebla.” In <hi rend="italic">Studies on the Archaeology, History, and Philology of Ancient Syria</hi>, ed. Paolo Matthiae, 123-55. Wiesbaden: Harrassowtiz (Studia Eblaitica 5).</p><p rend="bib_indx_bib" >Eidem, Jesper. 2011.<hi rend="italic"> The Royal Archives from Tell Leilan</hi>. <hi >Leiden: Peeters (PIHANS 117).</hi></p><p rend="bib_indx_bib" ><hi >Garelli, Paul. 1965. </hi>“Tablettes Capadociennes de collection diverses.” <hi rend="italic">Revue Assyriologiques</hi> 59: 149-76.</p><p rend="bib_indx_bib" >George, Andrew R. 2003. <hi rend="italic">The Babylonian Gilgamesh Epic. Introduction, Critical Edition and Cuneiform Texts. </hi><hi rend="italic" >Volume I. </hi><hi >Oxford: University Press.</hi></p><p rend="bib_indx_bib" ><hi >Hilgert, Markus. 1994. “erubbatum im Tempel des Dagān.” </hi><hi rend="italic" >Journal of Cuneiform Studies</hi><hi > 46: 29-39.</hi></p><p rend="bib_indx_bib" ><hi >Hinz, Walter. 1967. “Elams Vertrag mit Naram-sin von Akkade.”</hi><hi > </hi><hi rend="italic" >Zeitschrift für Assyriologie</hi><hi > 58: 66-96.</hi></p><p rend="bib_indx_bib" ><hi >Kozuoğlu, Remzi. 2016. “Eski Asur kaynaklarında tanriça </hi>İš<hi rend="myfont_regular CharOverride-1">ḫ</hi>ara ve akrep sembolü, <hi rend="italic" >Archivum Anatolicum</hi><hi > 10: 29-54.</hi></p><p rend="bib_indx_bib" ><hi >Krebernik, Manfred. 1984. </hi><hi rend="italic" >Die Beschwörungen aus Fara und Ebla</hi><hi >. </hi>Hildesheim-Zürich-New York.</p><p rend="bib_indx_bib" >Lambert, Wilfred G., Millard, Alan R., Miguel, Civil. 1969.<hi rend="italic"> Atra-</hi><hi rend="myfont_CORSIVO CharOverride-1">Ḫ</hi><hi rend="italic">asīs: The Babylonian Story of the Flood</hi>. Oxford: Eisenbrauns.</p><p rend="bib_indx_bib" >Litke, Richard L. 1998. <hi rend="italic">A Reconstruction of the Assyro-Babylonian God-lists: AN, DA-nu-um and AN: anu ša amēli</hi>. New Haven: Yale University Press.</p><p rend="bib_indx_bib" >Matthiae, Paolo. 2010. “The Seal of Ushra-samu, official of Ebla, and Ishkhara’s Iconography.” In <hi rend="italic">Opening the Tablet Box. Near Eastern Studies in Honor of Benjamin R. Foster</hi>, eds. Sarah Melville, and Alice Slotsky, 271-90. Leiden-Boston: Brill (CHANE 42).</p><p rend="bib_indx_bib" >Miller, Jared L. 2004. <hi rend="italic">Studies in the Origins, Development and Interpretation of the Kizzuwatna Rituals.</hi> <hi >Wiesbaden: Harrassowitz (StBoT 46).</hi></p><p rend="bib_indx_bib" ><hi >Neu, Erich. 1996. </hi><hi rend="italic" >Das hurritische Epos der Freilassung. I. Untersuchungen zu einem hurritisch-hethitischen Ensemble aus </hi><hi rend="myfont_CORSIVO CharOverride-1" >Ḫ</hi><hi rend="italic" >attuša</hi><hi >. </hi>Wiesbaden: Harrassowitz (StBoT 32).</p><p rend="bib_indx_bib" >Pettinato, Giovanni. 1982. <hi rend="italic">Testi lessicali bilingui della biblioteca L. 2769</hi>. Napoli: L’Orientale Università degli Studi di Napoli.</p><p rend="bib_indx_bib" >Prechel, Doris. 1996. <hi rend="italic">Die Göttin Iš</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic">ara. </hi><hi rend="italic" >Ein Beitrag zur altorientalischen Religionsgeschichte</hi><hi >. Münster: Ugarit-Verlag.</hi></p><p rend="bib_indx_bib" ><hi >Richter, Thomas. Forthcoming. “Theophore Personennamen in den Texten vom Haft Tappeh. Ein Zwischenbericht.” In </hi><hi rend="italic" >Elam und seine Nachbarn - eine wechselvolle Beziehung. Tagungsakten des X. Colloquiums der Deutschen Orientgesellschaft</hi><hi >, eds. Doris Prechel, and Alexander Pruß. </hi>Wiesbaden.</p><p rend="bib_indx_bib" >Sallaberger, Walther. 1996. “Sign List: Palaeography and Syllabary.” In <hi rend="italic">Administrative Documents from Tell Beydar (Seasons 1993-1995)</hi>, eds. Ismail Farouk, Walther Sallaberger, Philippe Talon, and Karel Van Lerberghe, 33-67. Turnhout: Brepols.</p><p rend="bib_indx_bib" >Salvini, Mirjo. 2015. <hi rend="italic">Les textes hourrites de Meskéné/Emar 2. Thesaurus</hi>. Roma: Pontificio Istituto Biblico.</p><p rend="bib_indx_bib" ><hi >Schwemer, Daniel. 2008. “Fremde Götter in </hi><hi rend="myfont_regular CharOverride-1" >Ḫ</hi><hi >atti. Die hethitische Religion im Spannungsfeld von Synkretismus und Abgrenzung.” In </hi><hi rend="myfont_CORSIVO CharOverride-1" >Ḫ</hi><hi rend="italic" >attuša - Boğazköy - Das Hethiterreich im Spannungsfeld des Alten Orients. 6. Internationales Colloquium der Deutschen Orient-Gesellschaft 22.-24. März 2006, Würzburg</hi><hi >, ed. Gernot Wilhelm, 137-58. </hi>Wiesbaden: Harrassowitz (CDOG 6).</p><p rend="bib_indx_bib" >Schwemer, Daniel. 2013. “Gauging the influence of Babylonian magic: The reception of Mesopotamian traditions in Hittite ritual practice.” In <hi rend="italic">Diversity and Standardization. Perspectives on social and political norms in the ancient Near East</hi>, eds. <hi >Jörg, Klinger, Eva Cancik-Kirschbaum, Gerfrid G.W. Müller, 145-71. Berlin: Akademie Verlag.</hi></p><p rend="bib_indx_bib" ><hi >Seidl, Ursula. 1989. </hi><hi rend="italic" >Die babylonischen Kudurru-Reliefs. Symbole Mesopotamischer Gottheiten</hi><hi >. Freiburg-Göttingen: Ruprecht (OBO 87).</hi></p><p rend="bib_indx_bib" >Veenhof, Klaas R. 2018. “The Family God in Old Babylonian and Especially in Old Assyrian Sources.” <hi rend="italic">Revue Assyriologique</hi> 112: 49-90.</p><p rend="bib_indx_bib" >Von Dassow, Eva. 2013. “Piecing together the Song of Release.” <hi rend="italic" >Journal of Cuneiform Studies</hi><hi > 65, 127-62.</hi></p><p rend="bib_indx_bib" ><hi >Weiershäuser, Frauke. 2008. </hi><hi rend="italic" >Die königlichen Frauen der III. Dynastie von Ur</hi><hi >. Göttingen: Universitätsverlag.</hi></p><p rend="bib_indx_bib" ><hi >Westenholz, Joan, and Westenholz, Aage, 1977. </hi>“The Old Akkadian Love Incantation MAD v 8.” <hi rend="italic">Orientalia </hi>46: 98-219.</p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-032-backlink">1</ref></hi>	<hi rend="superscript CharOverride-2" >d</hi><hi rend="CharOverride-3">šara</hi><hi rend="CharOverride-4" >8</hi><hi > = </hi><hi rend="italic" >iš-</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic" >a-ra</hi><hi > / </hi><hi rend="italic" >iš-</hi><hi rend="myfont_CORSIVO CharOverride-1">ḫ</hi><hi rend="italic" >a-la</hi><hi >, Pettinato 1982, 291; in addition also outside the lexical lists the variants </hi><hi rend="superscript CharOverride-2" >d</hi><hi rend="CharOverride-3">šára</hi><hi >(:</hi><hi rend="italic" >iš</hi><hi >) as well as </hi><hi rend="superscript CharOverride-2" >d</hi><hi rend="CharOverride-3" >sig</hi><hi rend="CharOverride-4" >7</hi><hi rend="CharOverride-3" >:ama</hi><hi > seem to refer to Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara, see most recently Archi 2020, 1.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-031-backlink">2</ref></hi>	<hi >Hilgert 1994, 32-36.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-030-backlink">3</ref></hi>	<hi >Hinz 1967, 91; 93.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-029-backlink">4</ref></hi>	<hi >I am very grateful to Walter Sommerfeld for sharing his collection of attestations on </hi><hi rend="CharOverride-3" >lagab</hi>×<hi rend="CharOverride-3" >sig</hi><hi rend="CharOverride-4" >7 </hi><hi >and </hi><hi rend="CharOverride-3" >gá</hi>×<hi rend="CharOverride-3" >sig</hi><hi rend="CharOverride-4" >7 </hi><hi >and discussing them with me.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-028-backlink">5</ref></hi>	<hi >Sallaberger 1996a, 45 note 45.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-027-backlink">6</ref></hi>	<hi >Weierhäuser 2008, 132-35.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-026-backlink">7</ref></hi>	<hi >Gilgameš P (OB II) 196-98, quoted from George 2003, 179.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-025-backlink">8</ref></hi>	<hi >Atra-</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >asīs II 301-04, quoted from Lambert, Millard 1969, 64-5.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-024-backlink">9</ref></hi>	<hi >A collection of names including the theophoric element Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara is given by Prechel 1996, 51-3.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-023-backlink">10</ref></hi>	<hi >Garelli 1965, 154 ll. 6-7.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-022-backlink">11</ref></hi>	<hi >TC 3.106: 5-7.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-021-backlink">12</ref></hi>	<hi >Attestations are collected by Kuzuo</hi><hi rend="CharOverride-6" >ǧ</hi><hi >lu 2016, 35.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-020-backlink">13</ref></hi>	<hi >Veenhof 2018, 75.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-019-backlink">14</ref></hi>	<hi >Kuzuo</hi><hi rend="CharOverride-6" >ǧ</hi><hi >lu 2016, 36-8.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-018-backlink">15</ref></hi>	<hi >n/k 391: 1-2, cited by Veenhof 2018, 75 note 130.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-017-backlink">16</ref></hi>	<hi >Eidem 2011, 417, I: 15; Veenhof 2018, 82 pays attention to the fact that it is not without doubt whether Ninkarrak and Išhara are the gods of Apûm of Assur.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-016-backlink">17</ref></hi>	<hi >For attestations see Prechel 1996, 91-7.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-015-backlink">18</ref></hi>	<hi >For attestations see Prechel 1996, 105-16.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-014-backlink">19</ref></hi>	<hi >For attestations see Prechel 1996, 120-29.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-013-backlink">20</ref></hi>	<hi rend="italic" >Editio princeps</hi><hi > by Neu 1996. For a discussion of Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara’s role in the mythic-historical poem see de Martino 2019, 129-30.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-012-backlink">21</ref></hi>	<hi >For references see Kozonğlu 2017.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-011-backlink">22</ref></hi>	<hi >For transliteration, translation and discussion see Schwemer 2013, 160-62.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-010-backlink">23</ref></hi>	<hi >Beckman 2014, 58-9.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-009-backlink">24</ref></hi>	<hi >Beckman 2014, 3-4.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-008-backlink">25</ref></hi>	<hi >Miller 2004, 376-77.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-007-backlink">26</ref></hi>	<hi >Prechel 1996, 105-16.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-006-backlink">27</ref></hi>	<hi >See the bibliography in Archi 2020, 30.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-005-backlink">28</ref></hi>	<hi >Seidl 1968, 94.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-004-backlink">29</ref></hi>	<hi >Prechel 1996, 70-1.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-003-backlink">30</ref></hi>	<hi >Archi 2020, 17: </hi>«<hi >Iš</hi><hi rend="myfont_regular CharOverride-1" >ḫ</hi><hi >ara reached Babylonia already at the end of the Old Akkadian period</hi>»<hi >.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-002-backlink">31</ref></hi>	<hi >Bachvarova 2019, 85.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-001-backlink">32</ref></hi>	<hi >A collection on possible etymological reconstruction can be found in Prechel 1996, 166-69.</hi></p><p rend="layout_notes" ><hi rend="notes_number _idGenCharOverride-1"><ref target="14.html#footnote-000-backlink">33</ref></hi>	<hi >Litke 1998, 166, ll. 276-285.</hi></p>



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